Musings after Archbishop Sample’s 2025 Easter Vigil Homily
The Most Important Night—Yet the Most Overlooked
The Easter Vigil is the crown jewel of Christian liturgy.
But in our time, its brilliance is hidden not by persecution, but by
indifference. It begins late. It runs long. It is ritual-heavy and slow. For
many, it's exhausting.
Yet perhaps its very inconvenience is the beginning
of its sanctity.
In an age that worships efficiency and comfort, the Easter
Vigil stands as a silent protest. It doesn't entertain. It doesn't flatter
our schedules. It waits. It builds. It dares to make us
linger at the edge of the tomb.
Its strangeness isn't a liability—it's a clue. Because the
Vigil isn't simply one liturgy among others. It's a theological event;
a metaphysical rupture; an existential confrontation. It gathers
every thread of salvation history into a single night. It's not merely
beautiful. It's true.
But if we are to enter it rightly, we must first ask: What
do we even mean by "sacred"?
What Is the Sacred, and Why Have We Lost It?
The sacred isn't simply the religious. It's that which
resists reduction. It cannot be consumed, commodified, or explained away. It
provokes reverence, awe, sometimes fear. It exposes us.
To say that something is sacred is to say: “Here, the
infinite has touched the finite. Proceed slowly.”
Modernity, however, has exiled the sacred from public life.
Not by disproving it, but by growing bored with it. We live in what Kołakowski
called “a world without windows”—a world where every mystery is either a
problem to be solved or a preference to be tolerated. We no longer kneel; we
scroll. We no longer adore; we optimize.
And yet—we are not at peace. The sacred, though repressed,
hasn't died. It returns. Not always in cathedrals, but in dreams, in
silence, in sudden tears, in great art, in deathbeds, and in the aching
intuition that this cannot be all there is.
The Easter Vigil speaks to that buried longing.
The Liturgy as Counter-Narrative
The Vigil doesn't begin with noise. It begins with
darkness. The liturgy forces us to wait. No music. No speech. Only a flame—one
fragile light in a vast silence.
This isn't liturgical theater. It's a reenactment of the cosmic
wound: the death of God. But it's also the dawn of cosmic hope: the
defeat of death.
Consider the sequence:
- We kindle
fire in a world grown cold.
- We process
slowly into a building that was empty, just as the tomb was.
- We proclaim
ancient readings, not because they are informative, but because they
place us within a story that precedes us, transcends us, and—if we are
honest—terrifies us with its demands.
This is not “symbolic” in the shallow sense. It is ontological
theater. In the Vigil, we do not commemorate resurrection—we enter it.
Why It Must Be Difficult
Modernity tells us that meaning must be accessible. That
religion must be practical. That if something does not produce results, it's
not worth doing.
But sacred things—real sacred things—are never
efficient.
The Vigil takes time because salvation took time. The
Resurrection came only after centuries of wandering, failure, promise, and
pain. If you feel the readings are long, good. So was exile. So was slavery. So
was Holy Saturday.
The Vigil should resist us, as the Gospel resists
every age. It should feel alien. Not because the Church is out of touch, but
because God is not a lifestyle brand.
How to Enter the Vigil
Let's be honest: belief doesn't come easily today. We're
formed by algorithms, irony, and distraction. If we're to believe again—not in
abstract doctrines, but in the risen Christ—we must pass through the
fire of recognition.
The Vigil is that fire.
It's not an escape from modernity. It's an interruption
of it.
It demands:
- That
we fast from urgency and rediscover awe.
- That
we surrender control and receive mystery.
- That
we stand at the tomb, not as analysts, but as witnesses.
Because here—on this night—the question is not merely “Did
Christ rise?”
The deeper question is: “Will I rise with Him?”
Final Paradox: The Night That Unmakes Death
The Vigil is strange. It is long. It is dark.
But that is because it's addressing a stranger darkness:
the one inside us. It doesn't “make sense” in the ordinary way. But neither
does resurrection.
And this is why we must keep vigil.
Not to perform a rite.
Not to check a box.
But to stand before the empty tomb and hear again the most offensive,
most beautiful, most destabilizing proclamation ever made:
“He is not here. He is risen.”
And if that is true, then nothing—nothing—is as it seems.
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